The 60s and 70s between New York and Vienna
International Symposium May 23 – May 25, 2019
Programm
THURSDAY May 23, 2019
18:00 s.t. Introduction:
Caroline Lillian Schopp & Barbara Reisinger, Department of Art History, University of Vienna
18:15-19:30 Keynote Lecture
Julia Bryan-Wilson, Doris and Clarence Malo Professor of Modern and Contemporary Art, University of California, Berkeley, and Adjunct Curator, Museu de Arte de São Paulo
Louise Nevelson: Techne/Technology
Introduced by Sebastian Egenhofer, Professor and Chair, Department of Art History, University of Vienna
19:30-20:00 Reception in the Aula
FRIDAY May 24, 2019
9:30-10:00 Coffee in the Aula
10:00 s.t.-13:00 Panel: Domestic Constraints
moderated by Eva Kernbauer, Professor of Art History, University of Applied Arts, Vienna
Jennifer Sichel, PhD, University of Chicago
The Critic and “The Thought Police”: Gene Swenson, Jill Johnston, and the Rise of Anti-Psychiatry
Rose-Anne Gush, Teaching Fellow in History and Theory of Art, The Slade School of Fine Art, University College London
Figuring the Repressed: VALIE EXPORT, Renate Bertlmann, and Birgit Jürgenssen
Antje Krause-Wahl, Visiting Professor of Art History, Goethe University Frankfurt am Main
Bandage & Bondage. Untimely Bodies and the Materiality of Photography
13:00-15:00 Break
15:00 s.t.-17:00 Panel: Untimely Figurations
moderated by Alexi Kukuljevic, University Assistant,
Department of Art Theory, University of Applied Arts, Vienna
Larne Abse Gogarty, Lecturer in History and Theory of Art, Slade School of Fine Art, University College London
Expressionism against Abstract Expressionism: Myth and Psychoanalysis in Chicago’s Monster Roster School
Stefanie Proksch-Weilguni, PhD Candidate, eikones - Graduate School, University of Basel
Genre Trouble. Forms of Animation in the 1970s
17:00-17:30 General Discussion
17:30-18:00 Break
18:00 s.t.-19:15 Keynote Lecture
Christine Mehring, Professor and Chair, Department of Art History, University of Chicago, and Adjunct Curator, Smart Museum of Art, Chicago
Beuys’ Fat, Vostell’s Concrete: Material Matters in Postwar Germany
Introduced by Caroline Lillian Schopp, University Assistant, Department of Art History, University of Vienna
SATURDAY May 25
9:30-10:00 Coffee in the Aula
10:00 s.t.-13:00 Panel: Peripheries of Home
moderated by Noit Banai, Professor of Contemporary Art,
Department of Art History, University of Vienna
Mechtild Widrich, Assistant Professor of Art History, Theory and Criticism, School of the Art Institute of Chicago
Avant-Garde and Folk: Ana Lupaș’s “Processual Works” in Communist Romania
Hannah Bruckmüller, PhD Candidate, Institute for Art Theory and Cultural Studies, Academy of Fine Arts Vienna
„like butter in a sandwich“ - Marcel Broodthaers, Maria Gilissen, and Domestic Publicity
Kevin Lotery, Lecturer in Art History, School of Arts and Cultures, Newcastle University, Newcastle-upon-Tyne
No Home Movies: Chantal Akerman and Claude Lanzmann
13:00-15:00 Break
15:00 s.t.-18:00 Panel: Interiorities (De)Materialized
moderated by Sabeth Buchmann, Professor of Art History,
Institute for Art Theory and Cultural Studies, Academy of Fine Arts Vienna
Megan R. Luke, Associate Professor, Art History, University of Southern California
Flying/Drowning: Heidi Bucher’s Spatial Impressions
Barbara Reisinger, PhD Candidate and Predoctoral University Assistant, Department of Art History, University of Vienna
Dirty Details: Billy Linich and the Domesticity of Andy Warhol’s Silver Factory
T’ai Smith, Associate Professor of Art History, University of British Columbia
Epistemology of the Outmoded Closet: Underground Film in the 1960s
18:00-18:30 General Discussion